When it comes to childhood spiritual experiences, the grown-ups are not showing very much interest. Despite the fact that, with their unclogged doors of perception, children are excellent candidates for mystical states, we don’t investigate it closely. People are queuing up to write books about childhood development, i.e. how they turn into us, but what they can already do – is neglected. Most of what is out there shows up as either conventional religious parenting advice or new agey stuff about angels, past lives, and premonitions. Of the articles I came across that really focus on children, one politely described this as “a developing field,” while another said that “studies exploring the spirituality of young children are scarce.”
Despite a leaning towards angels and past lives, Tobin Hart, a researcher out of West Georgia University, does get some information on how common childhood mystical experiences are, and what they are. Hart gave a questionnaire to 453 of his college students which asked questions like, “Have you ever found yourself knowing and/or saying something that seemed to come through you rather than from you, expressing a wisdom you don’t normally have?” 54% of the college kids said yes they had, and 80% of those said that it happened in childhood or youth. To the question, “Have you felt a sense of awe and wonderment inspired by the immediate world around you” 80% said that they had, and of those 85% said it happened before the age of 18. Many more of us are having childhood mystical experiences than just the rare or occasional fool on the hill.
In Hart’s article, “The Mystical Child,” he describes an exchange between a father and his 8- year-old daughter when they go to the beach and she spends an inordinate amount of time just standing still in the tide:
Miranda soon wandered into the soft and steady waves pulsing against the shore. She stood in the water up to her waist, just moving back and forth with the waves. Ten or fifteen minutes passed and Mark thought that her eyes were closed. Thirty minutes went by and she was still swaying in the gentle surf in the same spot. After an hour…he wanted to make sure she was all right. “Was this some kind of seizure?” “Does she have enough sun screen on?” he wondered; but he managed not to intrude. It was nearly an hour and a half before she came out of the water absolutely glowing and peaceful. She sat down next to him without a word. After a few minutes he managed to gently ask what she had been doing. “I was the water,” she said softly. “The water?” he repeated. “Yeah, it was amazing. I was the water. I love it and it loves me. I don’t know what else to say.” They sat quietly until she hopped up to dig in the sand a few minutes later.
The child stands extremely still because she is in a state of high concentration, and I believe she is glowing and peaceful at the end because, well, that’s what that stuff does to us. Had she said, “I was in the water,” instead of “I was the water,” it would have been just as powerful, even if many a person might have replied, “Yup, I could see that.” Being “me” and being aware of it, in that element we name “water,” is itself a double miracle of self and world that requires fully functioning doors of perception. It is the kill-joy of all other pleasures.
Many of us have had childhood experiences similar to this little girl’s. I called mine the Mood at the time, and sometimes it would come over me when I was in nature but often it would just arrive for no apparent rhyme or reason at all. In these spontaneous experiences I felt an ineffable oneness, an excitation, yet a sense of peace at the same time, and above all else joy at being alive. Every moment could open out, as Blake said, into the infinite. Then, as inexplicably as it had come, it would fade off again and I would be back in this world, and not always a happy camper at the arrival. Though the Mood faded as I grew older, it became the yardstick by which I would measure all other experiences in my life. It was my one piece of solid truth in a rather confused world.
I was confused myself by the fact that nobody else was talking about this kind of stuff, not in the family or at school, on TV or radio, in church, or just in general conversation. It was either unknown or in some strange way forbidden, It didn’t help that conventional religion, rather than getting excited at direct contact with the sacred, would turn our attention almost exclusively to how we were doing on the sin quota – always a rather discouraging measure for me.
But the conspiracy goes far beyond this. Our whole society is implicated in what Alan Watts called the taboo against knowing who you are. The child who can fine tune into mystical/emotional realms is at risk of being accused of daydreaming or spacing out, and if they persist (I have this information first hand) will also be considered weird and ill-equipped for getting on in life. And the older we get the more profoundly does the disapproval go. Consider this: how many drivers break quite clearly codified rules about going over the speed limit, jumping the traffic lights, and a million other infractions? It happens all the time. And how many of us dare to break the unwritten rules for pedestrians? I mean the ones where you are not supposed to suddenly stop on the sidewalk and stare into space, admire a cloud or the light on a building, or get lost in a beautiful sequence of thought? No, it’s not because you might get in people’s way, it is because you will be considered weird, perhaps mad or uncanny. We don’t want that level of scrutiny and embarrassment in a moment of great openness and vulnerability, so we refrain from doing it. In fact we refrain so much that it gets to be hard to do it even when we want to.
So, don’t look to the clergy, the researchers or social scientists for interest in children in this way. If you want someone who is open to the kids, go to the poets and artists. In “Fern Hill,” Dylan Thomas does not just recall his childhood ecstatic state, he recreates it so that we can feel it too:
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heyday of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.
And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hill barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams…
But for Thomas there is a sell-by date to this Eden, and there is not much the child can do to avoid the trainwreck of conforming adulthood that is barreling down the tracks.
Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.
Is the girl who was the sea really condemned to sing in her chains like the sea? Kathleen Raine, a poet from around Dylan Thomas’ time, gives us reason to hope that’s a no. Her childhood mystical experience were a connecting with natural forces that pre-dated her and probably pre-date us, and if that is the case there is no reason to suppose that the specialness of the connection dies with childhood . She also grew up on a farm, and in Autobiographies, she remembers fetching the water:
Our drinking water I had to bring from the well in the farmyard; a task which burdened me to the extreme limit of my strength but whose imaginative delight was of a quality to which I find it difficult to give a name, for it seemed to touch springs of thought at that time unknown to me…To drink that well water, cold and clear, was a kind of austere luxury, almost a rite; my Aunty Peggy never failed to praise, as she drank, the water from the well as the best water she had ever known, as people praise wine…
The well must I think have been very old; the roughly-hewn well-head which covered the spring might have dated from the forgotten monastery; and simple as it was it spoke a language entirely strange to me at the that time, not of nature, but of a different kind of meaning, which I recognized because this primitive shrine was raised upon a marvel of nature itself whose magic, it served to enhance. I shared, as I drew my water, the wonder of those who had built the well-head, recognizing in it the expression of a mind for which, as for my own, a spring was something pure, mysterious, more than natural. The spring was not deep, and I could plunge my arm to the depth of the sand-grains which danced on the bottom perpetually, as the cold clear water welled up. This perpetual welling up of the water was to me a marvel, that emergence from the rocky darkness where water has a secret life of its own, profound, flowing in underground streams and hollows under the hills which none can know or enter. It was as if at this spot a mystery were perpetually enacted. If I found in the stone basin leaves or water-shrimps I removed them as from a sacred source.
Raine responds to the sacred in a dutiful way, and she also notes a dividing line between the magical and the commonplace, a line that will also be struck between her childhood awareness and the mundane world mindset that preoccupies (Bedevils? Infects even?) adult life:
Yet once it had left the well-head the little trickling stream which overflowed continually did not seem to me in any way sacred or mysterious. In it paddled the farm-yard ducks and geese, and a few yards below the well it gathered into a small muddy pond where the beasts drank.
Raine’s description leaves us with a magic that is retrievable, if we could only devise the way. The Romantic poet William Wordsworth brought this thinking to a philosophy of life well before either Thomas or Raine were born. In “Intimations of Immortality from Recollections of Childhood” he locates the spiritual dimension not in a sort of archaic panpsychism like Raine, but in an eternal spirit realm beyond this one. “Heaven lies about us in our infancy” and children come into this world “trailing clouds of glory” – a theme that later teachers would beat into the brains of bored and frightened schoolchildren without even a hint of irony. Here Wordsworth speaks to the “Mighty Prophet,” a kind of universal child:
Thou, whose exterior semblance doth belie
Thy Soul's immensity;
Thou best Philosopher, who yet dost keep
Thy heritage, thou Eye among the blind,
That, deaf and silent, read'st the eternal deep,
Haunted for ever by the eternal mind,—
Mighty Prophet! Seer blest!
On whom those truths do rest,
Which we are toiling all our lives to find,
In darkness lost, the darkness of the grave;
…Thou little Child, yet glorious in the might
Of heaven-born freedom on thy being's height.
One of Wordsworth’s best friends was the scientist and inventor Sir Humphrey Davy, and one of Sir Humphrey’s best discoveries was nitrous oxide, or laughing gas, as he named it. Davy shared his new discovery with Wordsworth, and we can guess that the levity of the gas may have helped the poet soar to new heights of insight, though I don’t think he ever quite sang in his chains like the sea, Dylan Thomas-style, even though the Welsh bard rigorously stuck to his whiskey. Wordsworth, the measured English gentleman, did however, find his way through to a more optimistic take on the possibilities of adulthood:
What though the radiance which was once so bright
Be now for ever taken from my sight,
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be;
In the soothing thoughts that spring
Out of human suffering;
In the faith that looks through death,
In years that bring the philosophic mind.
That seasoned state of wisdom, according to the poet, even has some advantages over the
spontaneous glory of the child:
I love the Brooks which down their channels fret,
Even more than when I tripped lightly as they;
The innocent brightness of a new-born Day
Is lovely yet;
The Clouds that gather round the setting sun
Do take a sober colouring from an eye
That hath kept watch o'er man's mortality;
Another race hath been, and other palms are won.
Thanks to the human heart by which we live,
Thanks to its tenderness, its joys, and fears,
To me the meanest flower that blows can give
Thoughts that do often lie too deep for tears.
Wordsworth might say, yes William Blake, we do accumulate a great load of gunk in front of our doors of perception, but the suffering involved in clearing it away, or trying to, develops the human heart and makes us far more complex and interesting beings as a result. What Wordsworth doesn’t get into though, is the business of creating a roadmap to this place of seasoned wisdom – other than having enough time on your hands to tramp around the countryside thinking deep thoughts.
In starting on this map, Tobin Hart suggests that the childhood experience itself may be an essential orientation point to developing the seasoned wisdom. In a podcast called Interviews with Innocence, he said, “Childhood moments of wonder are not merely passing reveries, they shape the way a child sees and understands the world and they often form a core of his or her identity, morality and mission in life.” We may, as Wordsworth put it, be able to find “strength in what remains behind” and the childhood mystical state, whether it’s an overtly spiritual experience like the little girl standing in the ocean, or a bunch of kids totally caught up in one of Lyra’s mud battles, may be the beginning of a process.
This process, rooted in the child’s intimate experience of the world, can lead to something like Wordsworth’s state of wisdom, not just as a sign that we have suffered and come to his “philosophic mind,” but that we have evolved into, well as Shakespeare would have it, something rich and strange. A firm sign that the process is not taking place is when we compensate for our losses with status, glittery possessions, an insatiable thirst for novelty – in other words, all the hallmarks of modern culture.
The whole task of integration, whether it’s of an ecstatic state as a three-year-old or the secrets of the universe you saw from behind an eyemask yesterday afternoon, is a perceptual and a moral adventure. Although nobody ever took him up on his idea, it was probably not a throwaway line when Jesus Christ said, “Truly I tell you, unless you change and become like little children, you will never enter the kingdom of heaven.” But before we investigate more of how we might get there, we will look at the cruel and oddly fraught relationship between children and adults, between us and our own selves.